Paxette
Guide: Making the most of the Paxette and Super Paxette Models by
W.D. Emanuel.
Paperback
book (approx 12cm x 16cm x 4mm) published by The Focal Press 1957
(fourth edition), 72 pages with black and white illustrations and a
few black and white photographs. Also contains a single page (folded)
brochure for Agfa film.
This
book is a guide to the Paxette and Super Paxette Cameras. The Paxette
belongs to the small group of early post-war cameras which, through
their original design (breaking away from many pre-war traditions),
helped to create a new look and new trend in modern photography. At
the same time they paved the way for numerous latecomers in the field
of the inexpensive 35mm camera. The Paxette has no bellows, the lens
being fitted rigidly to the camera front, thus doing away with
opening up of the camera. It is fitted with a film transport coupled
with the shutter tensioning and exposure counter. The viewfinder is
an integral part built into the camera body.
Cameras
have changed a bit since 1957. Most often they are now called
“mobile phones” or “mobile devices”. Don't let the “phones”
in the first one confuse you, it's a camera and sometimes a phone.
You can still buy a camera, but I think I can confidently and
arrogantly assert that more photos are taken on mobiles than on
Cameras. Correct me if i'm wrong.
Despite
the changing world of picture taking, there are those that persist
with the camera and there are even those who appreciate the vintage
camera. I know of at least 3 people who own and regularly use a real
camera, 2 of these I would even catagorise as collectors of vintage
cameras. It was with this knowledge of appreciators that saw me pick
up this guide/manual for the Paxette. I had no idea what a Paxette
was at the time, but fortunately due to the picture on the cover and
the format of the book (small booklet size bordering on ephemera), I
figured out that it was a camera and that this book had something to
do with it. I guess it's all part of the learning curve that this
bookseller is still curving through.
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