Stockhausen:
Life and Work by Karl H. Worner. Paperback book published by Faber
& Faber 1973, 270 pages with some black and white photographs.
“The
aim of this book is to present the non-technical ‘background’ to
Stockhausen. Background it must remain, for there can be no
foreground but the music—a music whose understanding and enjoyment
presupposes nothing that can be learnt through words. Yet this is by
no means a monochrome or indistinct background. For one thing, the
characteristic ideas expressed by the composer encompass many areas
of thought, both concrete and abstract. For another thing,
Stockhausen never for long remains unconscious of the need to find
outlets for his creative will, and it is with such a will that he
wields his words; rarely content merely to describe or merely to
argue, his verbal style becomes a direct form of expression, often
seeking out and exploring regions quite its own. And finally, there
emerges from this ‘background’ a kind of spiritual biography,
revealing the most striking contours in the mentality of an artist
whose energetic pioneering has never blighted his musical
sensitivity.” From the
introduction.
Yep,
Stockhausen was a real barrel of laughs. ...but then again, I don't
think that he ever passed himself off as a being a funny sort of guy
and if you've ever listened to any of his work I think most of you
will agree that it is fairly intense stuff and not really a barrel of
laughs... The introduction above comments that Stockhausens music is
“a music whose understanding and enjoyment presupposes nothing
that can be learnt through words”. I think this means that if
you read this book you will learn nothing and that only a listen will
give you an idea of what this bloke was all about. So have a
listen...
I've
listened and enjoyed Karlheinz's work for many years now and I've
even attended a live performance of his tape music* here in
Australia. I guess you could say that I have an appreciation of his
work, or at least some of his work. A friend passed on a CD of his
Helicopter String Quartet a number of years ago and I can honestly
say I have only ever listened to it the once. I found the concept
whilst intriguing just that little bit too absurd for my
appreciation... and I didn't think it sounded that great either.
So when
I found a book about “one of the most important but also controversial composers of the 20th and early 21st centuries”, I
couldn't resist picking it up. Not that I thought it would initiate
a buying frenzy amongst my customers, particularly considering the
large rips to the front cover which look like someone has removed a
large price sticker or some such adhesive. No, this was more of a
cultural purchase. Often I buy this sort of stuff on a misguided
hunch that there is some interest, somewhere. The truth is I have no
idea if a slightly dated and worn book about Mr Stockhausen is of
interest to the wider book buyer public... but it should be.
* A live
concert mix of multichannel sounds, originally recorded by the man
himself
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