I recently purchased a large collection of books on Chinese
culture, history and art. Within the 24
boxes of varying condition and varying “of interest” books and pamphlets, was
this gem. I was amazed and intrigued that
something so specific and relatively obscure was ever published. Maybe I shouldn’t be so amazed as folk cap
design is a relatively harmless way for the Chinese government to promote this
region of China. The designs are very
folky in a very international style of folkiness. I look at these images and I don’t
immediately think of Western China and being a novice in the world of folk art,
I would even say that some of them remind me of Eastern European folk art
designs.
Tuesday, May 6, 2014
A Collection of the Xinjiang Uighur Folk Cap Designs
A Collection of the Xinjiang Uighur Folk Cap Designs, edited
by Zhang Hengde, Han Lianfen, Xie Kai et al. (Text is English and
Chinese). Paperback book published by
Xinjiang People's Publishing House 1983, 149 pages with black and white and
colour illustrations and some photographs.
“Well-known for its
songs and dances, the Uighur nationality has a long history and a brilliant
culture. It is extremely rich in the industrial arts. Delicate artware can be
seen everywhere in daily life, of which the folk cap is one of the kind. It is
a convention for the Uighur people to wear caps. No matter which season it is,
the Uighur people, men and women, old and young, on both the northern and
southern sides of the Tianshan Mountains, always wear caps. The folk cap is not
only a daily necessity, but also a kind of artware with a strong national
flavour. Whenever people hold wedding and parties or visit relatives and
friends, they decorate themselves with caps. Mass meetings and bazaars are
simply exhibitions of caps, where various kinds of caps are so many and
beautiful as to dazzle the eye and beggar description. etc”
1983 (the year this book was published) was a relatively quiet period
in regards to Xinjiang on the world stage.
In recent years things have been a bit noisier in the region with there
being quite a bit of publicity regarding an active separatist movement. In the last few days there has been another
attack (one of many) by Uighur Separatists at a railway station. This book is a
great reminder that Uighur culture is more than just attacks at railway
stations.
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